{"id":21235,"date":"2026-11-04T09:20:30","date_gmt":"2026-11-04T08:20:30","guid":{"rendered":"https:\/\/andrei.ddev.site\/salesiyen-cemiyeti\/logo\/"},"modified":"2026-11-04T09:20:30","modified_gmt":"2026-11-04T08:20:30","slug":"logo","status":"publish","type":"page","link":"https:\/\/sdb-staging.178-32-140-152.plesk.page\/tr\/salesiyen-cemiyeti\/logo\/","title":{"rendered":"Logo"},"content":{"rendered":"<p class=\"section-eyebrow\"><strong>D\u00fcnyada Salesiyen Cemaati<\/strong><\/p>\n<p><strong>K\u00f6ken<\/strong><br \/>\nArma ve logo birbirini tamamlayan i\u015flevler \u00fcstlenir. Arma kimli\u011fi, tarihi ve kurumsal aidiyeti ifade eder: \u00e7o\u011fu zaman resm\u00ee bir kullan\u0131ma ba\u011fl\u0131, simgesel ve geleneksel bir de\u011fere sahiptir. Logo ise ayn\u0131 kimli\u011fi, \u00e7a\u011fda\u015f ileti\u015fimin ihtiya\u00e7lar\u0131 d\u00fc\u015f\u00fcn\u00fclerek tasarlanm\u0131\u015f, daha do\u011frudan, esnek ve tan\u0131nabilir bir g\u00f6rsel i\u015farete d\u00f6n\u00fc\u015ft\u00fcr\u00fcr.<br \/>\nBug\u00fcn ileti\u015fim, her ortamda \u00e7o\u011falt\u0131labilen ve kolayca uygulanabilen a\u00e7\u0131k ve sade bir imaj gerektirir: kimli\u011fi g\u00fcn\u00fcm\u00fcz\u00fcn g\u00f6rsel dilinde hemen tan\u0131n\u0131r ve anla\u015f\u0131l\u0131r k\u0131lan bir \u00e7\u00f6z\u00fcm.<br \/>\nArma kimli\u011fini anlat\u0131r, logo seni hemen tan\u0131t\u0131r.<\/p>\n<p>Bug\u00fcnk\u00fc Salesiyen logosu 2003 y\u0131l\u0131ndan beri kullan\u0131lmaktad\u0131r ve \u00e7a\u011fda\u015f bir g\u00f6rsel kimlik \u00e7al\u0131\u015fmas\u0131 olarak do\u011fmu\u015ftur. Alman ve Brezilya eyaletlerinin logolar\u0131ndan al\u0131nan unsurlar\u0131 birle\u015ftirir; bunlar\u0131 birle\u015ftirme fikri, t\u00fcm Cemaatte yeni logo \u00fczerine yap\u0131lan bir ara\u015ft\u0131rmadan ve Genel Konseyin katk\u0131lar\u0131ndan do\u011fmu\u015ftur. Logo \u015fu merkezi tema etraf\u0131nda kurulmu\u015ftur: \u201c<strong>D\u00fcnyada gen\u00e7lerle birlikte yol alan Don Bosco ve Salesiyenler<\/strong>\u201d. \u0130kisini birle\u015ftiren sanatsal \u00e7al\u0131\u015fma, Roma&#8217;daki Litos \u015firketinden tasar\u0131mc\u0131 Fabrizio Emigli taraf\u0131ndan ger\u00e7ekle\u015ftirilmi\u015ftir.<\/p>\n<p>Logotipin kimlik renkleri \u015funlard\u0131r:<\/p>\n<p>Siyah-beyaz i\u00e7in<br \/>\n            Ev \u2013 RGB: 0,0,0 veya Web: #9A9A9A<br \/>\n            Arka plan \u2013 RGB:154,154,154 veya Web: #9A9A9A<\/p>\n<p>Renkli i\u00e7in<br \/>\n            Ev \u2013 RGB: 255,189,167 veya Web: #FFBDA7<br \/>\n            Arka plan \u2013 RGB: 245,6,38 veya Web: #F50626<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Modern logonun simgeselli\u011fi<\/strong><br \/>\n            Logo \u00fcst \u00fcste binen iki piktogramdan olu\u015fur. Arka planda, Salesiyenleri \u00e7a\u011fr\u0131\u015ft\u0131ran ve yerk\u00fcreye benzeyen dairesel bir bi\u00e7imin i\u00e7ine negatif olarak \u00e7izilmi\u015f stilize bir \u201cS\u201d vard\u0131r; yanlarda iki tepe ya da kum tepesi kesiti g\u00f6r\u00fcn\u00fcr. Bu b\u00fct\u00fcn, d\u00fcnyadaki Salesiyen yolculu\u011funu g\u00f6rselle\u015ftirir.<\/p>\n<p>Ortada, \u00fc\u00e7 dolu daire ta\u015f\u0131yan \u00fc\u00e7 dikey sapla desteklenen, yukar\u0131ya do\u011fru y\u00f6nelmi\u015f bir ok bulunur: bunlar \u00fc\u00e7 stilize insand\u0131r. Ortadaki fig\u00fcr daha uzundur ve okun ucundad\u0131r; yandaki iki fig\u00fcr ise ortadakiyle kucakla\u015f\u0131yor gibidir. Bu daha uzun fig\u00fcr, \u00e7ocuklar\u0131 kucaklayan Don Bosco olarak yorumlan\u0131r.<\/p>\n<p>\u00dc\u00e7 insan ve ok ayn\u0131 zamanda basit bir ev de olu\u015fturur: kollar e\u011fimli \u00e7at\u0131ya, g\u00f6vdeler ise s\u00fctunlara d\u00f6n\u00fc\u015f\u00fcr. Bu, do\u011frudan bir e\u011fitim ortam\u0131 olarak Salesiyen Oratoryosuna g\u00f6nderme yapar: SDB Konstit\u00fcsyonlar\u0131 Don Bosco&#8217;nun ilk oratoryosunu \u201ckar\u015f\u0131layan ev, m\u00fcjdeleyen parokya, ya\u015fama haz\u0131rlayan okul ve arkada\u015f\u00e7a bulu\u015fup ne\u015fe i\u00e7inde ya\u015famak i\u00e7in avlu\u201d olarak tan\u0131mlar.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Logonun karizmatik kaynaklar\u0131<\/strong><br \/>\n            Logo, Salesiyen Konstit\u00fcsyonlar\u0131n\u0131n 7, 21 ve 38-40. maddelerinden esinlenmi\u015ftir. 7. madde Salesiyen \u00e7a\u011fr\u0131s\u0131n\u0131n d\u00fcnyayla ve tarihle dayan\u0131\u015fmas\u0131ndan, k\u00fclt\u00fcrlere a\u00e7\u0131kl\u0131ktan ve gen\u00e7lerin ve halk kesimlerinin ihtiya\u00e7lar\u0131na g\u00f6re y\u00f6nlendirilen pastoral faaliyetten s\u00f6z eder.<br \/>\n            21. madde Don Bosco&#8217;yu, gen\u00e7lere hizmetin b\u00fct\u00fcnl\u00fckl\u00fc bir ya\u015fam tasar\u0131s\u0131na d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fc baba ve \u00f6\u011fretmen olarak sunar. 38-40. maddeler ak\u0131l, din ve sevecenlik \u00fczerine kurulu \u00d6nleyici Sistemi, gen\u00e7ler aras\u0131ndaki etkin ve dost\u00e7a varl\u0131\u011f\u0131 ve Salesiyen faaliyetinin kal\u0131c\u0131 \u00f6l\u00e7\u00fct\u00fc olarak Valdocco Oratoryosunu hat\u0131rlat\u0131r.<\/p>\n<p>Modern logo, Salesiyen karizmas\u0131n\u0131 grafik olarak \u00e7a\u011fda\u015f bir dile aktar\u0131r: Don Bosco, Salesiyenler, gen\u00e7ler, ev-oratoryo, yol, d\u00fcnya ve yukar\u0131ya do\u011fru at\u0131l\u0131m.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>D\u00fcnyada Salesiyen Cemaati K\u00f6ken Arma ve logo birbirini tamamlayan i\u015flevler \u00fcstlenir. Arma kimli\u011fi, tarihi ve kurumsal aidiyeti ifade eder: \u00e7o\u011fu zaman resm\u00ee bir kullan\u0131ma ba\u011fl\u0131, simgesel ve geleneksel bir de\u011fere sahiptir. Logo ise ayn\u0131 kimli\u011fi, \u00e7a\u011fda\u015f ileti\u015fimin ihtiya\u00e7lar\u0131 d\u00fc\u015f\u00fcn\u00fclerek tasarlanm\u0131\u015f, daha do\u011frudan, esnek ve tan\u0131nabilir bir g\u00f6rsel i\u015farete d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. Bug\u00fcn ileti\u015fim, her ortamda \u00e7o\u011falt\u0131labilen ve [&hellip;]<\/p>\n","protected":false},"author":0,"featured_media":0,"parent":21204,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-21235","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sdb-staging.178-32-140-152.plesk.page\/tr\/wp-json\/wp\/v2\/pages\/21235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sdb-staging.178-32-140-152.plesk.page\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sdb-staging.178-32-140-152.plesk.page\/tr\/wp-json\/wp\/v2\/types\/page"}],"replies":[{"embeddable":true,"href":"https:\/\/sdb-staging.178-32-140-152.plesk.page\/tr\/wp-json\/wp\/v2\/comments?post=21235"}],"version-history":[{"count":0,"href":"https:\/\/sdb-staging.178-32-140-152.plesk.page\/tr\/wp-json\/wp\/v2\/pages\/21235\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/sdb-staging.178-32-140-152.plesk.page\/tr\/wp-json\/wp\/v2\/pages\/21204"}],"wp:attachment":[{"href":"https:\/\/sdb-staging.178-32-140-152.plesk.page\/tr\/wp-json\/wp\/v2\/media?parent=21235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}